The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.　　The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.

• 已完结

  调香师

  苏威·阿纳斯多特,奥古斯特·迪赫,罗伯特·芬斯特,Anne Müller,艾米利亚·舒勒,路德维希·西蒙

• HD

  勇闯毒龙潭粤语

  万梓良,吴镇宇,黎明,杨宝玲,杜德伟,陈雅伦

• HD

  虎豹龙蛇鹰粤语

  元奎,李艺民,龙世家,龙冠武,龙飞,徐忠信,钱月笙

• HD中字

  十月围城粤语

  甄子丹,王学圻,梁家辉,胡军,王柏杰,谢霆锋,李宇春,巴特尔,黎明,范冰冰,曾志伟,任达华,周韵,张涵予,张学友,李嘉欣,吕中

• HD

  游戏边缘粤语

  刘青云,黎耀祥

• TS中字

  拳影人生

  蒂姆·布雷克·尼尔森,格伦·普拉默,Andrew Liner,凯文·考利甘

• 正片

  七月之痒

  姚晓棠,巫迪文,马歌,文婕

• 正片

  末路迷途

  宁桓宇,岳辛,吴弘,遇泓羊,李沫颔,付磊,张雨提,袁川航,魏华

• 正片

  酱园弄·悬案

  章子怡,王传君,易烊千玺,梅婷,赵丽颖,雷佳音,刘润萱,章宇,安娜·柯克,杨幂,康春雷,张羽霖,彭昱畅,尹昉,沈佳妮,陈国庆,张建亚,周野芒,大鹏,李现,徐祥,孙强,范伟

• 第2集

  黑暗边缘

  梅尔·吉布森 , 雷·温斯顿 , 丹尼·赫斯顿 , 博亚娜·诺瓦科维奇 , 肖恩·罗伯茨 , 大卫·阿隆·贝克 , 杰伊·桑德斯 , 丹尼斯·欧哈拉 , 达米安·杨 , 卡特琳娜·斯柯松 , 弗兰克·格里罗 , 韦恩·杜瓦尔 , 格本加·阿金纳格贝 , 加布里埃尔·珀帕 , 保罗·斯帕克斯

• HD

  那些被我卖掉的黑夜

  Nadia Casula,Oliver Silver,Nina Hatchwell

• HD国语

  李冰

  胡庆士,毛燕华,游江雄,赫海泉,王敏宜,李媛媛,庄丰源,李连生,荏荪,浦克,李颉,朱德喜,张奕,金淑元,许志余,恽玉纯,陆建艺,张钟熙,孙英白,胡琪,王晓正,卢廷兰